Docs
Lens presets
Focal length and lens character — controls facial proportion, background blur and distortion.
If you don’t pick one: A neutral portrait focal length.
This page shows basic context only. Hover any preset in the app itself for the fuller explanation, including when to reach for it.
18 presets
| Preset | What you get |
|---|---|
| Anamorphic 50mm | 50mm anamorphic. Widescreen aspect, horizontal blue flares, oval bokeh, cinema texture. |
| Beauty Macro 100mm | 100mm beauty macro. Individual lashes and skin texture resolved crisply, face rendered flat and undistorted. |
| Compressed 135mm | 135mm telephoto. Strong compression flattening the face and pulling the background in close behind. |
| Compression Maestro | 135mm telephoto. Flattens the face and pulls the background close, isolating the subject tightly. |
| Environmental Wide | 35mm. Keeps the subject and their surroundings both readable, with deep focus. |
| Fisheye 8mm | 8mm circular fisheye. Extreme curvilinear distortion bowing every straight line outward. |
| Helios 44-2 | Vintage Soviet 58mm. Pronounced swirly bokeh at the frame edges and warm nostalgic tones. |
| Leica Noctilux 50mm | Leica Noctilux 50mm. Razor-thin plane of focus, dreamlike falloff, unusual swirly bokeh, exceptional in the dark. |
| Professional Zoom | 70-200mm telephoto zoom. Flexible reach, crisp subject isolation, clean background separation. |
| The Detail Revealer | 100mm macro. Extreme close-up with texture and fine detail fully resolved. |
| The Human Eye | 50mm. Roughly how the eye sees — natural proportions, no distortion, moderate background blur. |
| The Night Sky | 14mm ultra-wide. Vast perspective built for night sky and landscape, everything sharp. |
| The Portrait King | 85mm. Flattering facial proportions, subject sharp, background melted into creamy bokeh. |
| The Scene Setter | 16-35mm wide zoom. Expansive perspective with everything in focus front to back. |
| Tilt-Shift 90mm | 90mm tilt-shift. A tilted plane of focus giving a miniature-model effect, with corrected verticals. |
| Ultra-Wide 16mm | 16mm. Strong perspective stretch toward the edges, dramatic near-far size difference, deep focus. |
| Wide 24mm Editorial | 24mm held close to the subject — mild barrel distortion and an exaggerated near-far perspective. |
| Zeiss CP.3 25mm | Zeiss CP.3 25mm cinema prime. Wide, sharp, minimal distortion, a Hollywood production finish. |